Light, Empathy, and Silence: The Architecture of Marina Tabassum

In her Dhaka, Bangladesh–based practice, Marina Tabassum seeks to create a language of architecture that’s simultaneously contemporary yet rooted to its place. One of the first buildings she undertook after establishing her own practice in 2005—the Bait Ur Rouf Mosque in her own city—won an Aga Khan Award for Architecture, which recognizes design that addresses the needs and aspirations of Muslim societies. Bangladesh’s Museum of Independence, which she designed with her former partner, Kashef Mahboob Chowdhury of the practice URBANA, has become a national landmark. But Tabassum also works at the intimate scale of housing, pursuing innovative modular space-frame designs constructed of bamboo. She’s taught at architecture schools around the globe. Recently, she was recognized with an award from the Architecture, Culture, and Spirituality Forum and identified by Time magazine as one of the 100 most influential people for 2024 for her work in sustainable, socially responsible design. I had a chance to talk with Tabassum about her work, her teaching, and her frustrations and satisfactions with being an architect.